The Butterfly upon the Sky
- Emily Dickinson
The Butterfly upon the Sky,
That doesn't know its Name
And hasn't any tax to pay
And hasn't any Home
Is just as high as you and I,
And higher, I believe,
So soar away and never sigh
And that's the way to grieve —
.
Showing posts with label poetry corner. Show all posts
Showing posts with label poetry corner. Show all posts
Saturday, February 16, 2013
Friday, February 1, 2013
January Poetry Corner
"One Today"
- Richard Blanco
One sun rose on us today, kindled over our shores,
peeking over the Smokies, greeting the faces
of the Great Lakes, spreading a simple truth
across the Great Plains, then charging across the Rockies.
One light, waking up rooftops, under each one, a story
told by our silent gestures moving behind windows.
My face, your face, millions of faces in morning’s mirrors,
each one yawning to life, crescendoing into our day:
pencil-yellow school buses, the rhythm of traffic lights,
fruit stands: apples, limes, and oranges arrayed like rainbows
begging our praise. Silver trucks heavy with oil or paper -- bricks or milk, teeming over highways alongside us,
on our way to clean tables, read ledgers, or save lives -- to teach geometry, or ring up groceries as my mother did
for twenty years, so I could write this poem.
All of us as vital as the one light we move through,
the same light on blackboards with lessons for the day:
equations to solve, history to question, or atoms imagined,
the “I have a dream” we keep dreaming,
or the impossible vocabulary of sorrow that won’t explain
the empty desks of twenty children marked absent
today, and forever. Many prayers, but one light
breathing color into stained glass windows,
life into the faces of bronze statues, warmth
onto the steps of our museums and park benches
as mothers watch children slide into the day.
One ground. Our ground, rooting us to every stalk
of corn, every head of wheat sown by sweat
and hands, hands gleaning coal or planting windmills
in deserts and hilltops that keep us warm, hands
digging trenches, routing pipes and cables, hands
as worn as my father’s cutting sugarcane
so my brother and I could have books and shoes.
The dust of farms and deserts, cities and plains
mingled by one wind -- our breath. Breathe. Hear it
through the day’s gorgeous din of honking cabs,
buses launching down avenues, the symphony
of footsteps, guitars, and screeching subways,
the unexpected song bird on your clothes line.
Hear: squeaky playground swings, trains whistling,
or whispers across cafe tables, Hear: the doors we open
for each other all day, saying: hello, shalom,
buon giorno, howdy, namaste, or buenos días
in the language my mother taught me -- in every language
spoken into one wind carrying our lives
without prejudice, as these words break from my lips.
One sky: since the Appalachians and Sierras claimed
their majesty, and the Mississippi and Colorado worked
their way to the sea. Thank the work of our hands:
weaving steel into bridges, finishing one more report
for the boss on time, stitching another wound
or uniform, the first brush stroke on a portrait,
or the last floor on the Freedom Tower
jutting into a sky that yields to our resilience.
One sky, toward which we sometimes lift our eyes
tired from work: some days guessing at the weather
of our lives, some days giving thanks for a love
that loves you back, sometimes praising a mother
who knew how to give, or forgiving a father
who couldn’t give what you wanted.
We head home: through the gloss of rain or weight
of snow, or the plum blush of dusk, but always -- home,
always under one sky, our sky. And always one moon
like a silent drum tapping on every rooftop
and every window, of one country -- all of us --
facing the stars
hope -- a new constellation
waiting for us to map it,
waiting for us to name it -- together
.
- Richard Blanco
One sun rose on us today, kindled over our shores,
peeking over the Smokies, greeting the faces
of the Great Lakes, spreading a simple truth
across the Great Plains, then charging across the Rockies.
One light, waking up rooftops, under each one, a story
told by our silent gestures moving behind windows.
My face, your face, millions of faces in morning’s mirrors,
each one yawning to life, crescendoing into our day:
pencil-yellow school buses, the rhythm of traffic lights,
fruit stands: apples, limes, and oranges arrayed like rainbows
begging our praise. Silver trucks heavy with oil or paper -- bricks or milk, teeming over highways alongside us,
on our way to clean tables, read ledgers, or save lives -- to teach geometry, or ring up groceries as my mother did
for twenty years, so I could write this poem.
All of us as vital as the one light we move through,
the same light on blackboards with lessons for the day:
equations to solve, history to question, or atoms imagined,
the “I have a dream” we keep dreaming,
or the impossible vocabulary of sorrow that won’t explain
the empty desks of twenty children marked absent
today, and forever. Many prayers, but one light
breathing color into stained glass windows,
life into the faces of bronze statues, warmth
onto the steps of our museums and park benches
as mothers watch children slide into the day.
One ground. Our ground, rooting us to every stalk
of corn, every head of wheat sown by sweat
and hands, hands gleaning coal or planting windmills
in deserts and hilltops that keep us warm, hands
digging trenches, routing pipes and cables, hands
as worn as my father’s cutting sugarcane
so my brother and I could have books and shoes.
The dust of farms and deserts, cities and plains
mingled by one wind -- our breath. Breathe. Hear it
through the day’s gorgeous din of honking cabs,
buses launching down avenues, the symphony
of footsteps, guitars, and screeching subways,
the unexpected song bird on your clothes line.
Hear: squeaky playground swings, trains whistling,
or whispers across cafe tables, Hear: the doors we open
for each other all day, saying: hello, shalom,
buon giorno, howdy, namaste, or buenos días
in the language my mother taught me -- in every language
spoken into one wind carrying our lives
without prejudice, as these words break from my lips.
One sky: since the Appalachians and Sierras claimed
their majesty, and the Mississippi and Colorado worked
their way to the sea. Thank the work of our hands:
weaving steel into bridges, finishing one more report
for the boss on time, stitching another wound
or uniform, the first brush stroke on a portrait,
or the last floor on the Freedom Tower
jutting into a sky that yields to our resilience.
One sky, toward which we sometimes lift our eyes
tired from work: some days guessing at the weather
of our lives, some days giving thanks for a love
that loves you back, sometimes praising a mother
who knew how to give, or forgiving a father
who couldn’t give what you wanted.
We head home: through the gloss of rain or weight
of snow, or the plum blush of dusk, but always -- home,
always under one sky, our sky. And always one moon
like a silent drum tapping on every rooftop
and every window, of one country -- all of us --
facing the stars
hope -- a new constellation
waiting for us to map it,
waiting for us to name it -- together
.
Sunday, October 14, 2012
October Poetry Corner
The Sea And the Hills
Who hath desired the Sea? -- the sight of salt wind-hounded --
The heave and the halt and the hurl and the crash of the comber win hounded?
The sleek-barrelled swell before storm, grey, foamless, enormous, and growing --
Stark calm on the lap of the Line or the crazy-eyed hurricane blowing --
His Sea in no showing the same his Sea and the same 'neath each showing:
His Sea as she slackens or thrills?
So and no otherwise -- so and no otherwise -- hillmen desire their Hills!
Who hath desired the Sea? -- the immense and contemptuous surges?
The shudder, the stumble, the swerve, as the star-stabbing bow-sprit emerges?
The orderly clouds of the Trades, the ridged, roaring sapphire thereunder --
Unheralded cliff-haunting flaws and the headsail's low-volleying thunder --
His Sea in no wonder the same his Sea and the same through each wonder:
His Sea as she rages or stills?
So and no otherwise -- so and no otherwise -- hillmen desire their Hills.
Who hath desired the Sea? Her menaces swift as her mercies?
The in-rolling walls of the fog and the silver-winged breeze that disperses?
The unstable mined berg going South and the calvings and groans that de clare it --
White water half-guessed overside and the moon breaking timely to bare it --
His Sea as his fathers have dared -- his Sea as his children shall dare it:
His Sea as she serves him or kills?
So and no otherwise -- so and no otherwisc -- hillmen desire their Hills.
Who hath desired the Sea? Her excellent loneliness rather
Than forecourts of kings, and her outermost pits than the streets where men gather
Inland, among dust, under trees -- inland where the slayer may slay him --
Inland, out of reach of her arms, and the bosom whereon he must lay him
His Sea from the first that betrayed -- at the last that shall never betray him:
His Sea that his being fulfils?
So and no otherwise -- so and no otherwise -- hillmen desire their Hills.
.
Friday, January 13, 2012
January Poetry Corner
KABUL
- Saib-e-Tabrizi
Ah! How beautiful is Kabul encircled by her arid mountains
And Rose, of the trails of thorns she envies
Her gusts of powdered soil, slightly sting my eyes
But I love her, for knowing and loving are born of this same dust
My song exhalts her dazzling tulips
And at the beauty of her trees, I blush
How sparkling the water flows from Pul-I Bastaan!
May Allah protect such beauty from the evil eye of man!
Khizr chose the path to Kabul in order to reach Paradise
For her mountains brought him close to the delights of heaven
From the fort with sprawling walls, A Dragon of protection
Each stone is there more precious than the treasure of Shayagan
Every street of Kabul is enthralling to the eye
Through the bazaars, caravans of Egypt pass
One could not count the moons that shimmer on her roofs
And the thousand splendid suns that hide behind her walls
Her laughter of mornings has the gaiety of flowers
Her nights of darkness, the reflections of lustrous hair
Her melodious nightingales, with passion sing their songs
Ardent tunes, as leaves enflamed, cascading from their throats
And I, I sing in the gardens of Jahanara, of Sharbara
And even the trumpets of heaven envy their green pastures
.
- Saib-e-Tabrizi
Ah! How beautiful is Kabul encircled by her arid mountains
And Rose, of the trails of thorns she envies
Her gusts of powdered soil, slightly sting my eyes
But I love her, for knowing and loving are born of this same dust
My song exhalts her dazzling tulips
And at the beauty of her trees, I blush
How sparkling the water flows from Pul-I Bastaan!
May Allah protect such beauty from the evil eye of man!
Khizr chose the path to Kabul in order to reach Paradise
For her mountains brought him close to the delights of heaven
From the fort with sprawling walls, A Dragon of protection
Each stone is there more precious than the treasure of Shayagan
Every street of Kabul is enthralling to the eye
Through the bazaars, caravans of Egypt pass
One could not count the moons that shimmer on her roofs
And the thousand splendid suns that hide behind her walls
Her laughter of mornings has the gaiety of flowers
Her nights of darkness, the reflections of lustrous hair
Her melodious nightingales, with passion sing their songs
Ardent tunes, as leaves enflamed, cascading from their throats
And I, I sing in the gardens of Jahanara, of Sharbara
And even the trumpets of heaven envy their green pastures
.
Sunday, November 13, 2011
November Poetry Corner
The Wanderer
by W.H. Auden
by W.H. Auden
Doom is dark and deeper than any sea-dingle.
Upon what man it fall
In spring, day-wishing flowers appearing,
Avalanche sliding, white snow from rock-face,
That he should leave his house,
No cloud-soft hand can hold him, restraint by women;
But ever that man goes
Through place-keepers, through forest trees,
A stranger to strangers over undried sea,
Houses for fishes, suffocating water,
Or lonely on fell as chat,
By pot-holed becks
A bird stone-haunting, an unquiet bird.
There head falls forward, fatigued at evening,
And dreams of home,
Waving from window, spread of welcome,
Kissing of wife under single sheet;
But waking sees
Bird-flocks nameless to him, through doorway voices
Of new men making another love.
Save him from hostile capture,
From sudden tiger's leap at corner;
Protect his house,
His anxious house where days are counted
From thunderbolt protect,
From gradual ruin spreading like a stain;
Converting number from vague to certain,
Bring joy, bring day of his returning,
Lucky with day approaching, with leaning dawn.
From sudden tiger's leap at corner;
Protect his house,
His anxious house where days are counted
From thunderbolt protect,
From gradual ruin spreading like a stain;
Converting number from vague to certain,
Bring joy, bring day of his returning,
Lucky with day approaching, with leaning dawn.
(1930)
.
Wednesday, October 19, 2011
October Poetry Corner
Congratulations to poet Tomas Transtromer for winning the 2011 Nobel Prize for Literature.
On the main road into the city
when the sun is low.
The traffic thickens, crawls.
It is a sluggish dragon glittering.
I am one of the dragon’s scales.
Suddenly the red sun is
right in the middle of the windscreen
streaming in.
I am transparent
and writing becomes visible
inside me
words in invisible ink
which appear
when the paper is held to the fire!
I know I must get far away
straight through the city and then
further until it is time to go out
and walk far in the forest.
Walk in the footprints of the badger.
It gets dark, difficult to see.
In there on the moss lie stones.
One of the stones is precious.
It can change everything
it can make the darkness shine.
It is a switch for the whole country.
Everything depends on it.
Look at it, touch it…
Further In
On the main road into the city
when the sun is low.
The traffic thickens, crawls.
It is a sluggish dragon glittering.
I am one of the dragon’s scales.
Suddenly the red sun is
right in the middle of the windscreen
streaming in.
I am transparent
and writing becomes visible
inside me
words in invisible ink
which appear
when the paper is held to the fire!
I know I must get far away
straight through the city and then
further until it is time to go out
and walk far in the forest.
Walk in the footprints of the badger.
It gets dark, difficult to see.
In there on the moss lie stones.
One of the stones is precious.
It can change everything
it can make the darkness shine.
It is a switch for the whole country.
Everything depends on it.
Look at it, touch it…
.
Sunday, September 18, 2011
September Poetry Corner
The Mourning Bride (excerpt)
- William Congreve
Musick has Charms to sooth a savage Breast,
To soften Rocks, or bend a knotted Oak.
I've read, that things inanimate have mov'd,
And, as with living Souls, have been inform'd,
By Magick Numbers and persuasive Sound.
What then am I? Am I more senseless grown
Than Trees, or Flint? O force of constant Woe!
'Tis not in Harmony to calm my Griefs.
Anselmo sleeps, and is at Peace; last Night
The silent Tomb receiv'd the good Old King;
He and his Sorrows now are safely lodg'd
Within its cold, but hospitable Bosom.
Why am not I at Peace?
.
- William Congreve
Musick has Charms to sooth a savage Breast,
To soften Rocks, or bend a knotted Oak.
I've read, that things inanimate have mov'd,
And, as with living Souls, have been inform'd,
By Magick Numbers and persuasive Sound.
What then am I? Am I more senseless grown
Than Trees, or Flint? O force of constant Woe!
'Tis not in Harmony to calm my Griefs.
Anselmo sleeps, and is at Peace; last Night
The silent Tomb receiv'd the good Old King;
He and his Sorrows now are safely lodg'd
Within its cold, but hospitable Bosom.
Why am not I at Peace?
.
Sunday, August 14, 2011
August Poetry Corner
The Library of Congress named Philip Levine, 83, as the new poet laureate of the United States on Aug 10, 2011.
The Pulitzer-winning writer's work has appeared in The Atlantic a number of times over the years, the first instance being the publication of his poem "Holy Day".
Holy Day
-Philip Levine,
Los Angeles hums
a little tune --
trucks down
the coast road
for Monday Market
packed with small faces
blinking in the dark.
My mother dreams
by the open window.
On the drainboard
the gray roast humps
untouched, the oven
bangs its iron jaws,
but it's over.
Before her on the table
set for so many
her glass of fire
goes out.
The childish photographs,
the letters and cards
scatter at last.
The dead burn alone
toward dawn.
.
The Pulitzer-winning writer's work has appeared in The Atlantic a number of times over the years, the first instance being the publication of his poem "Holy Day".
Holy Day
-Philip Levine,
Los Angeles hums
a little tune --
trucks down
the coast road
for Monday Market
packed with small faces
blinking in the dark.
My mother dreams
by the open window.
On the drainboard
the gray roast humps
untouched, the oven
bangs its iron jaws,
but it's over.
Before her on the table
set for so many
her glass of fire
goes out.
The childish photographs,
the letters and cards
scatter at last.
The dead burn alone
toward dawn.
.
Monday, July 18, 2011
July Poetry Corner
Bavarian Gentians
- D. H. Lawrence
Not every man has gentians in his house
in soft September, at slow, sad Michaelmas.
Bavarian gentians, big and dark, only dark
darkening the daytime, torch-like, with the smoking blueness of Pluto's gloom,
ribbed and torch-like, with their blaze of darkness spread blue
down flattening into points, flattened under the sweep of white day
torch-flower of the blue-smoking darkness, Pluto's dark-blue daze,
black lamps from the halls of Dis, burning dark blue,
giving off darkness, blue darkness, as Demeter's pale lamps give off light,
lead me then, lead the way.
Reach me a gentian, give me a torch!
let me guide myself with the blue, forked torch of this flower
down the darker and darker stairs, where blue is darkened on blueness
even where Persephone goes, just now, from the frosted September
to the sightless realm where darkness is awake upon the dark
and Persephone herself is but a voice
or a darkness invisible enfolded in the deeper dark
of the arms Plutonic, and pierced with the passion of dense gloom,
among the splendor of torches of darkness, shedding darkness on
the lost bride and her groom.
D. H. Lawrence (1885-1930)
Published posthumously.
From 'Last Poems', 1932.
.
Sunday, May 15, 2011
May Poetry Corner
My Thoughts
- Nikolai Stepanovich Gumilev
Why did you come, my thoughts, in instant,
Like thieves to rob my quiet habitation,
Like vultures, gloomy and malignant,
With thirst for dread retaliation.
My hopes are gone, and ran away my visions,
My eyes were opened by fierce agitation,
And, in the sacred books of new religions,
I read my words, my deals and plans for future actions.
For that, that I with looks so calm and quiet,
Watched them who sailed to victory and glory,
That with my lips I touched the lips in fire,
Which did not have the former sinning story,
That those hands of mine, my own fingers,
Didn’t know a plough, were so thin and pliant,
And that my songs, the rambling meistersingers,
Could only sing, while making a sad sound,
For all this now came repudiation.
Blind men will smash the gentle, deceptive temple,
And thoughts will come into my habitation,
And strangle me, like thieves – a shabby tramper.
.
- Nikolai Stepanovich Gumilev
Why did you come, my thoughts, in instant,
Like thieves to rob my quiet habitation,
Like vultures, gloomy and malignant,
With thirst for dread retaliation.
My hopes are gone, and ran away my visions,
My eyes were opened by fierce agitation,
And, in the sacred books of new religions,
I read my words, my deals and plans for future actions.
For that, that I with looks so calm and quiet,
Watched them who sailed to victory and glory,
That with my lips I touched the lips in fire,
Which did not have the former sinning story,
That those hands of mine, my own fingers,
Didn’t know a plough, were so thin and pliant,
And that my songs, the rambling meistersingers,
Could only sing, while making a sad sound,
For all this now came repudiation.
Blind men will smash the gentle, deceptive temple,
And thoughts will come into my habitation,
And strangle me, like thieves – a shabby tramper.
.
Tuesday, April 19, 2011
April Poetry Corner
From Gitanjali
by Rabindranath Tagore
Threshold
I was not aware of the moment
when I first crossed the threshold of this life.
What was the power that made me open out into this vast mystery
like a bud in the forest at midnight!
When in the morning I looked upon the light
I felt in a moment that I was no stranger in this world,
that the inscrutable without name and form
had taken me in its arms in the form of my own mother.
Even so, in death the same unknown will appear as ever known to me.
And because I love this life,
I know I shall love death as well.
The child cries out
when from the right breast the mother takes it away,
in the very next moment to find in the left one its consolation.
Parting Words
When I go from hence
let this be my parting word,
that what I have seen is unsurpassable.
I have tasted of the hidden honey of this lotus
that expands on the ocean of light,
and thus am I blessed
---let this be my parting word.
In this playhouse of infinite forms
I have had my play
and here have I caught sight of him that is formless.
My whole body and my limbs
have thrilled with his touch who is beyond touch;
and if the end comes here, let it come
---let this be my parting word.
.
by Rabindranath Tagore
Threshold
I was not aware of the moment
when I first crossed the threshold of this life.
What was the power that made me open out into this vast mystery
like a bud in the forest at midnight!
When in the morning I looked upon the light
I felt in a moment that I was no stranger in this world,
that the inscrutable without name and form
had taken me in its arms in the form of my own mother.
Even so, in death the same unknown will appear as ever known to me.
And because I love this life,
I know I shall love death as well.
The child cries out
when from the right breast the mother takes it away,
in the very next moment to find in the left one its consolation.
Parting Words
When I go from hence
let this be my parting word,
that what I have seen is unsurpassable.
I have tasted of the hidden honey of this lotus
that expands on the ocean of light,
and thus am I blessed
---let this be my parting word.
In this playhouse of infinite forms
I have had my play
and here have I caught sight of him that is formless.
My whole body and my limbs
have thrilled with his touch who is beyond touch;
and if the end comes here, let it come
---let this be my parting word.
.
Sunday, March 13, 2011
March Poetry Corner
What Is So Rare As A Day In June
- James Russell Lowell
And what is so rare as a day in June?
Then, if ever, come perfect days;
Then Heaven tries earth if it be in tune,
And over it softly her warm ear lays;
Whether we look, or whether we listen,
We hear life murmur, or see it glisten;
Every clod feels a stir of might,
An instinct within it that reaches and towers,
And, groping blindly above it for light,
Climbs to a soul in grass and flowers;
The flush of life may well be seen
Thrilling back over hills and valleys;
The cowslip startles in meadows green,
The buttercup catches the sun in its chalice,
And there's never a leaf nor a blade too mean
To be some happy creature's palace;
The little bird sits at his door in the sun,
Atilt like a blossom among the leaves,
And lets his illumined being o'errun
With the deluge of summer it receives;
His mate feels the eggs beneath her wings,
And the heart in her dumb breast flutters and sings;
He sings to the wide world, and she to her nest,-
In the nice ear of Nature which song is the best?
Now is the high-tide of the year,
And whatever of life hath ebbed away
Comes flooding back with a ripply cheer,
Into every bare inlet and creek and bay;
Now the heart is so full that a drop overfills it,
We are happy now because God wills it;
No matter how barren the past may have been,
'Tis enough for us now that the leaves are green;
We sit in the warm shade and feel right well
How the sap creeps up and the blossoms swell;
We may shut our eyes but we cannot help knowing
That skies are clear and grass is growing;
The breeze comes whispering in our ear,
That dandelions are blossoming near,
That maize has sprouted, that streams are flowing,
That the river is bluer than the sky,
That the robin is plastering his house hard by;
And if the breeze kept the good news back,
For our couriers we should not lack;
We could guess it all by yon heifer's lowing,-
And hark! How clear bold chanticleer,
Warmed with the new wine of the year,
Tells all in his lusty crowing!
Joy comes, grief goes, we know not how;
Everything is happy now,
Everything is upward striving;
'Tis as easy now for the heart to be true
As for grass to be green or skies to be blue,-
'Tis for the natural way of living:
Who knows whither the clouds have fled?
In the unscarred heaven they leave not wake,
And the eyes forget the tears they have shed,
The heart forgets its sorrow and ache;
The soul partakes the season's youth,
And the sulphurous rifts of passion and woe
Lie deep 'neath a silence pure and smooth,
Like burnt-out craters healed with snow.
.
- James Russell Lowell
And what is so rare as a day in June?
Then, if ever, come perfect days;
Then Heaven tries earth if it be in tune,
And over it softly her warm ear lays;
Whether we look, or whether we listen,
We hear life murmur, or see it glisten;
Every clod feels a stir of might,
An instinct within it that reaches and towers,
And, groping blindly above it for light,
Climbs to a soul in grass and flowers;
The flush of life may well be seen
Thrilling back over hills and valleys;
The cowslip startles in meadows green,
The buttercup catches the sun in its chalice,
And there's never a leaf nor a blade too mean
To be some happy creature's palace;
The little bird sits at his door in the sun,
Atilt like a blossom among the leaves,
And lets his illumined being o'errun
With the deluge of summer it receives;
His mate feels the eggs beneath her wings,
And the heart in her dumb breast flutters and sings;
He sings to the wide world, and she to her nest,-
In the nice ear of Nature which song is the best?
Now is the high-tide of the year,
And whatever of life hath ebbed away
Comes flooding back with a ripply cheer,
Into every bare inlet and creek and bay;
Now the heart is so full that a drop overfills it,
We are happy now because God wills it;
No matter how barren the past may have been,
'Tis enough for us now that the leaves are green;
We sit in the warm shade and feel right well
How the sap creeps up and the blossoms swell;
We may shut our eyes but we cannot help knowing
That skies are clear and grass is growing;
The breeze comes whispering in our ear,
That dandelions are blossoming near,
That maize has sprouted, that streams are flowing,
That the river is bluer than the sky,
That the robin is plastering his house hard by;
And if the breeze kept the good news back,
For our couriers we should not lack;
We could guess it all by yon heifer's lowing,-
And hark! How clear bold chanticleer,
Warmed with the new wine of the year,
Tells all in his lusty crowing!
Joy comes, grief goes, we know not how;
Everything is happy now,
Everything is upward striving;
'Tis as easy now for the heart to be true
As for grass to be green or skies to be blue,-
'Tis for the natural way of living:
Who knows whither the clouds have fled?
In the unscarred heaven they leave not wake,
And the eyes forget the tears they have shed,
The heart forgets its sorrow and ache;
The soul partakes the season's youth,
And the sulphurous rifts of passion and woe
Lie deep 'neath a silence pure and smooth,
Like burnt-out craters healed with snow.
.
Sunday, February 13, 2011
February Poetry Corner
When You Are Old
by William Butler Yeats
When you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;
How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim Soul in you,
And loved the sorrows of your changing face;
And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.
.
by William Butler Yeats
When you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;
How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim Soul in you,
And loved the sorrows of your changing face;
And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.
.
Sunday, January 16, 2011
January Poetry Corner
A Poem for Sarah Baartman
By Diana Ferrus
“I’ve come to take you home –
home, remember the veld?
the lush green grass beneath the big oak trees
the air is cool there and the sun does not burn.
I have made your bed at the foot of the hill,
your blankets are covered in buchu and mint,
the proteas stand in yellow and white
and the water in the stream chuckle sing-songs
as it hobbles along over little stones.
I have come to wretch you away –
away from the poking eyes
of the man-made monster
who lives in the dark
with his clutches of imperialism
who dissects your body bit by bit
who likens your soul to that of Satan
and declares himself the ultimate god!
I have come to soothe your heavy heart
I offer my bosom to your weary soul
I will cover your face with the palms of my hands
I will run my lips over lines in your neck
I will feast my eyes on the beauty of you
and I will sing for you
for I have come to bring you peace.
I have come to take you home
where the ancient mountains shout your name.
I have made your bed at the foot of the hill,
your blankets are covered in buchu and mint,
the proteas stand in yellow and white –
I have come to take you home
where I will sing for you
for you have brought me peace.”
.
By Diana Ferrus
“I’ve come to take you home –
home, remember the veld?
the lush green grass beneath the big oak trees
the air is cool there and the sun does not burn.
I have made your bed at the foot of the hill,
your blankets are covered in buchu and mint,
the proteas stand in yellow and white
and the water in the stream chuckle sing-songs
as it hobbles along over little stones.
I have come to wretch you away –
away from the poking eyes
of the man-made monster
who lives in the dark
with his clutches of imperialism
who dissects your body bit by bit
who likens your soul to that of Satan
and declares himself the ultimate god!
I have come to soothe your heavy heart
I offer my bosom to your weary soul
I will cover your face with the palms of my hands
I will run my lips over lines in your neck
I will feast my eyes on the beauty of you
and I will sing for you
for I have come to bring you peace.
I have come to take you home
where the ancient mountains shout your name.
I have made your bed at the foot of the hill,
your blankets are covered in buchu and mint,
the proteas stand in yellow and white –
I have come to take you home
where I will sing for you
for you have brought me peace.”
.
Sunday, December 26, 2010
December Poetry Corner
THE THIEF
- Abraham Cowley
Thou robb'st my days of business and delights,
Of sleep thou robb'st my nights ;
Ah, lovely thief, what wilt thou do?
What? rob me of heaven too?
Even in my prayers thou hauntest me:
And I, with wild idolatry,
Begin to God, and end them all to thee.
Is it a sin to love, that it should thus
Like an ill conscience torture us?
Whate'er I do, where'er I go—
None guiltless e'er was haunted so!—
Still, still, methinks, thy face I view,
And still thy shape does me pursue,
As if, not you me, but I had murdered you.
From books I strive some remedy to take,
But thy name all the letters make;
Whate'er 'tis writ, I find thee there,
Like points and commas everywhere.
Me blessed for this let no man hold,
For I, as Midas did of old,
Perish by turning every thing to gold.
What do I seek, alas, or why do I
Attempt in vain from thee to fly?
For, making thee my deity,
I gave thee then ubiquity.
My pains resemble hell in this:
The divine presence there too is,
But to torment men, not to give them bliss.
.
- Abraham Cowley
Thou robb'st my days of business and delights,
Of sleep thou robb'st my nights ;
Ah, lovely thief, what wilt thou do?
What? rob me of heaven too?
Even in my prayers thou hauntest me:
And I, with wild idolatry,
Begin to God, and end them all to thee.
Is it a sin to love, that it should thus
Like an ill conscience torture us?
Whate'er I do, where'er I go—
None guiltless e'er was haunted so!—
Still, still, methinks, thy face I view,
And still thy shape does me pursue,
As if, not you me, but I had murdered you.
From books I strive some remedy to take,
But thy name all the letters make;
Whate'er 'tis writ, I find thee there,
Like points and commas everywhere.
Me blessed for this let no man hold,
For I, as Midas did of old,
Perish by turning every thing to gold.
What do I seek, alas, or why do I
Attempt in vain from thee to fly?
For, making thee my deity,
I gave thee then ubiquity.
My pains resemble hell in this:
The divine presence there too is,
But to torment men, not to give them bliss.
.
Saturday, November 13, 2010
November Poetry Corner
Death, Be Not Proud
- John Donne
Death, be not proud, though some have called thee
Mighty and dreadful, for thou art not so;
For those whom thou think'st thou dost overthrow,
Die not, poor Death, nor yet canst thou kill me.
From rest and sleep, which but thy pictures be,
Much pleasure; then from thee much more must flow,
And soonest our best men with thee do go,
Rest of their bones, and soul's delivery.
Thou art slave to fate, chance, kings, and desperate men,
And dost with poison, war, and sickness dwell;
And poppy or charms can make us sleep as well
And better than thy stroke; why swell'st thou then?
One short sleep past, we wake eternally,
And death shall be no more; Death, thou shalt die.
- John Donne
Death, be not proud, though some have called thee
Mighty and dreadful, for thou art not so;
For those whom thou think'st thou dost overthrow,
Die not, poor Death, nor yet canst thou kill me.
From rest and sleep, which but thy pictures be,
Much pleasure; then from thee much more must flow,
And soonest our best men with thee do go,
Rest of their bones, and soul's delivery.
Thou art slave to fate, chance, kings, and desperate men,
And dost with poison, war, and sickness dwell;
And poppy or charms can make us sleep as well
And better than thy stroke; why swell'st thou then?
One short sleep past, we wake eternally,
And death shall be no more; Death, thou shalt die.
Wednesday, October 27, 2010
October Poetry Corner
The Tiger
- William Blake
Tiger Tiger. burning bright,
In the forests of the night;
What immortal hand or eye.
Could frame thy fearful symmetry?
In what distant deeps or skies.
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare seize the fire?
And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat.
What dread hand? & what dread feet?
What the hammer? what the chain,
In what furnace was thy brain?
What the anvil? what dread grasp.
Dare its deadly terrors clasp?
When the stars threw down their spears
And watered heaven with their tears:
Did he smile His work to see?
Did he who made the lamb make thee?
Tiger Tiger burning bright,
In the forests of the night:
What immortal hand or eye,
Dare frame thy fearful symmetry?
- William Blake
Tiger Tiger. burning bright,
In the forests of the night;
What immortal hand or eye.
Could frame thy fearful symmetry?
In what distant deeps or skies.
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare seize the fire?
And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat.
What dread hand? & what dread feet?
What the hammer? what the chain,
In what furnace was thy brain?
What the anvil? what dread grasp.
Dare its deadly terrors clasp?
When the stars threw down their spears
And watered heaven with their tears:
Did he smile His work to see?
Did he who made the lamb make thee?
Tiger Tiger burning bright,
In the forests of the night:
What immortal hand or eye,
Dare frame thy fearful symmetry?
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